原来lesportsac今年那个兔子叫做fifi

在网上看到这组图片，实在是喜欢

Sonia Rykiel

morning, beijing

奇怪的是，北京的日出时间比以往带过的地方都要早，早上7点就能感受到上海9点的温度，就像每天保洁人员的早安问候般热情

最终选择了有色，同是资源股，只是股性的了解让我能多一点安心

晚上170不动声色的停牌公告，接下来1个月要耐心地等待了

798-清华美术学院毕业展

去时正好遇到清华美术学院毕业展，书画、雕塑、手工、三维，这更算是一场创意的展示。出来后，突然意识到楼里楼外的差别，一边是无边界的思想野马，一边是浓重的商业色彩。chen说，艺人都是有钱的吧，先烧钱后赚钱，在没有金钱的压力下，自然会毫无顾忌地去想去做，只是可惜，大多数艺人都会经历这样的转变。

和虫子聊起798每段时间租客的变化，还有那些模仿苏富比拍卖会上高价出售的作品，了解到798的意义之一，即当前艺术世界的商业风向。

但欣喜的是，遇到陈复礼“影画合璧”摄影作品展，华君武在鄂鱼嘴巴里塞进卡通人，吴作人在沙漠风光图上补画骆驼，李苦禅在古树乱枝上添上老鸦……今天看来，这种摄影画意用另外一种方式表达中国对摄影的看法，这不同于西方的摄影观念，合成的作品将摄影本身的感情色彩强化了，不得不说是当前国人一种意识形态的转变。

尼日利亚近日举办了一场有趣的摄影展览，首都拉各斯富人区和贫民区的数百名孩子用相机记录下他们的生活环境，反映本国的巨大贫富差距。

一个私立学校的孩子拍下自己的CROSS童鞋

 

在拉各斯市的伊科伊区，一个孩子为私立学校的同学们拍摄合影。生活在富人区的大多是开采石油的商人和银行家等。

 

贫民区的学生教室

两个男孩围着用旧门板做成的简易球台玩乒乓球。尼日利亚共有1.4亿人口，其中约1.26 亿人日均生活消费不足2美元，占总人口的92%。

 

（From Reuters）

NEW YORK, September 8, 2008

By Nicole Phelps

Mary Poppins goes to Dubai. The King and I meets The Postman Always Rings Twice. Yves Saint Laurent's Ballets Russes collection redux. There are as many meanings to derive from a Marc Jacobs collection as there are crashers at his shows. But listen to the litany that Jacobs himself provided after all 53 of his Spring looks—each one more colorful, more multilayered, and more zanily accessorized than the last—had circled his Stefan Beckman-designed Hall of Mirrors runway: "America, womanly, Broadway, Perry Ellis, country, naïveté…"

It was a mash-up to end all mash-ups, and as an American in Paris—that was Gershwin's "Rhapsody in Blue" cleverly playing on the soundtrack—Jacobs is better situated than most to deliver it. He's developed an expat's eye, and could it be that he actually misses the States? In any case, he sees a certain beauty here. Take the fourth look: There was the prairie skirt provocatively bustled turn-of-the-century style, a gingham shirt, a Lurex-shot plaid sash that winked at both the frontier West and his own grunge collection for Perry Ellis, a metallic tweed motorcycle jacket, and, for accessories—ka-ching—a crushed-straw hat, a chunky necklace, and a quilted chain-link bag. Athletic references appeared elsewhere in the form of wide stripes on a pair of sundresses and Lurex-ribbed knit sweaters with baseball jersey-style contrasting sleeves. And mixed in among all the electric colors and the shiny bits were peaked-shouldered black jackets and vests worn with wide-leg trousers cropped below the knee.

This season, nothing escaped Jacobs' roving eye or his melting-pot mentality. And in his hands even a thing like a farm-girl apron gets tweaked and reinterpreted until, impossibly, it becomes the very definition of contemporary chic. "It's about the joy of dressing up," he finally said backstage. And how.

 大衬裙，20世纪40年代的垫肩，彩格，艺妓风格的宽腰带

农场女孩彩格，古典音乐与爵士乐的结合

Jemima帽，重金属质感的提包

精制的时装鞋，最后是Marc Jacobs

复兴公园的午后

淮海中路H&M

博物馆前的喷泉 

Stéphane Feugère / Courtesy of Chloé Pre-Fall 2008